نقد تطبیقی- زیباشناختی دو نمونه داستان کوتاه از نویسندگان زن معاصر در ایران و روسیه با محوریت نظریۀ بیان کالینگوود

نوع مقاله : مقاله علمی پژوهشی

نویسندگان

1 گروه زبان و ادبیات فارسی، دانشکده ادبیات و زبان های خارجی، دانشگاه کاشان، کاشان، ایران

2 گروه ادبیات روسی، دانشکده زبان ها و ادبیات خارجی، دانشگاه تهران، تهران، ایران

چکیده

عاطفه و بیان، معیاری ثابت و پایدار در گسترۀ دانش زیبایی‌شناسی به شمار می‌آیند این پژوهش در چارچوب مکتب آمریکایی با نظر به آراء کالینگوود به بررسی تأثیرزیباشناختی مؤلّفه‌های بیانگری، عاطفه، ذوق، و بر هم زدن کلیشه‌ها در دو داستان کوتاه "مرکز ثقل" از ویکتوریا توکاروا و "زنی از جنس مس" از بهناز علی پور گسکری می‌پردازد. باتوجه به موتیف یکسان در دو داستان نگاه هستی شناسانۀ زنان از دو فرهنگ بررسی شده و تبیین می‌گردد که چشم اندازهای فمینیستی در زیبایی‌شناسی با عوامل مؤثّر فرهنگی‌ای مرتبط هستند که اعمال قدرت می کنند. این عوامل در جهان‌بینی شخصیت‌ها تفاوت‌هایی ایجاد می‌کنند . در نتیجه ، داستان فارسی به شکل گیری اجتماعی شخصیت پرداخته است و داستان روسی، معنا داری زندگی اجتماعی را به تصویر کشیده است.هدف مطالعات تطبیقی و زیبا شناختی این مقاله این است که داستان به مثابۀ هنر می‌تواند عرصه ای برای تلفیق نظریۀ بیان هنری و مؤلّفه‌های نقد زیباشناختی باشد. تطبیق دو داستان، آگاهی جدیدی در حوزۀ درک زیباشناختی مخاطب به عنوان ناظر ایجاد می‌کند.

کلیدواژه‌ها

موضوعات

عنوان مقاله [English]

A comparative Aesthetic Study of Selected Short Stories by Tow Contemporary Women Writers from Iran and Russia based on Collingwood s Expression Theory

نویسندگان [English]

  • Maryam Mousavi jeshvaghani 1
  • Hosein Ghorbanpoor Arani 1
  • Zahra Mohammadi 2
1 Department of Persian Language and Literature, Faculty of Literature and Foreign Languages, Kashan University, Kashan, Iran
2 Department of Russian Language & Literature. University of Tehran
چکیده [English]

Factors of expression and emotion are considered fixed criteria in aesthetics. Forming its approach within the American school and from the theories of Collingwood, the present article renders a study of the aesthetic effect of the factors of expressiveness, emotion, genius, and the deconstruction of the stereotypes in the following two short stories: “Center of Gravity” by the Russian writer, Victoria Tokareva, and “Zani az jens-e mes”/ “A Woman Made of Copper” by the Iranian writer, Behnaz Alipour. Regarding the same motifs in the two short stories, this study analyses the ontological views of women in two different cultures in order to show to what extent feminist views in aesthetics are in relation with the dominating cultural factors. These factors have different influences on the ideology of the characters. As a result, it seems that the Persian fiction centers on the social formation of the character while the Russian story revolves around the meaningfulness of social life.

کلیدواژه‌ها [English]

  • Iranian and Russian Women'
  • s Literature
  • Schools of Comparative Literature
  • Philosophical Aesthetics
  • Collingwood Theory
  • Expression

مراجع

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پژوهش ادبیات معاصر جهان
دوره 27، شماره 2
بهمن 1401
صفحه 697-722

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