نوع مقاله : مقاله علمی پژوهشی
نویسنده
گروه زبان های رمانس ، زبان و ادبیات ایتالیایی، دانشکده زبان و ادبیات خارجی دانشگاه تهران.
چکیده
کلیدواژهها
موضوعات
عنوان مقاله [English]
نویسنده [English]
Dante Alighieri’s name appears in many works of world literature, especially in the West. Many contemporary authors from different cultural and linguistic backgrounds have mentioned Dante’s inner journey in some of their works or studies. In the Italian peninsula, Dante’s name, tradition, thought, and mentality have been mentioned many times by thinkers and writers from the 16th century to the present day. Contemporary researchers in national and cross-border comparative studies both inside and outside Italy have studied thematic and morphological borrowings in the works of some Italian storytellers and writers of the 20th century. Tristan Kay’s “‘Una modesta Divina Commedia’: Dante as Anti-model in Cesare Pavese’s La luna e i falo” (2011) is a notable example, because adopting a holistic critical point of view, he carries out a thematic and structural comparison between the thoughts of the author of The Moon and the Bonfire (1949) and the author of Divine Comedy (1321). Inspired by Tristan Kay’s and adopting a necessarily in-text view while trying to move from the thematic depth of The Moon and the Bonfire to some content and imagery angles of the Divine Comedy, the present study seeks to find Dante’s footprints in different parts of Pavese’s novel.
کلیدواژهها [English]
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