بررسی نمایش‌نامه‌‌ی شاه‌لیر شکسپیر بر اساس نظریات روان‌کاوانه‌ی ژاک لاکان و در پرتو مفهوم گفتمان ارباب

نوع مقاله : مقاله علمی پژوهشی

نویسندگان

1 استادیار زبان و ادبیات ایتالیایی، دانشکدة زبانها و ادبیات خارجی، دانشگاه تهران، تهران، ایران

2 دانش‌آموختة دکتری زبان و ادبیات انگلیسی، دانشکدة زبانها و ادبیات خارجی، پردیس البرز، دانشگاه تهران، تهران، ایران

چکیده

مقالة حاضر با اتخاذ رویکرد روانکاوانة لاکانی و در پرتو مفهوم گفتمان ارباب ذیل مفهوم چهار گفتمان؛ به‌بررسی نمایشنامة شاه‌لیر شکسپیر می‌پردازد. پرسش اصلی مقاله چرایی جنون شاه‌لیر و بی‌نظمی متعاقب درگرفته در جامعه، پس از شرایط ثبات و نظم ابتدای نمایشنامه است. پژوهش حاضر نشان می‌دهد که چگونه به‌هنگامی که شاه‌لیر در مقام ارباب‌دال و جایگاه موضوع همان‌انگاری سوژه‌های خط‌خورده، از گفتمان حذف شده و حقیقت گفتمان ارباب برملا و پردة فانتزی گسیخته می‌شود، خدایگان و جامعه هر دو دچار جنون و آشفتگی می‌شوند. نخست، مفهوم گفتمان ارباب و اجزای آن شرح داده شده و تبیین می‌شوند و سپس با اتکا به‌شیوة واکاوی متن به‌پرسش‌های اصلی پژوهش پرداخته می‌شود.

کلیدواژه‌ها


عنوان مقاله [English]

A study examines Shakespeare’s King Lear according to the Lacanian Psychoanalysis

نویسندگان [English]

  • mohammad hosein ramezan kiaee 1
  • Sajad Motaharnia 2
1
2 Tehran university, Alborz Campus, Languages and foreign literature, English language and literature
چکیده [English]

The present study examines Shakespeare’s King Lear according to the Lacanian Psychoanalysis specifically in the light of the Lacan’s four discourses concept. The main question concerns the madness of King Lear and the subsequent turmoil ravaging society after the dominant stability and order in the beginning. The study shows that when King Lear as the master signifier and the locus of identification for the barred subjects, is removed from the discourse, the truth of discourse is going to be revealed, the veil of fantasy is torn apart, and the king and society find themselves in madness. The researchers first present a lengthy introduction mainly discussing the history of psychoanalytic criticism and showing how dramatically it is changed after the radical psychoanalytic innovations made by Jacques Lacan. The next part is totally allocated to explaining the theory of the discourse of master and its constituent components such as the master signifier, the other, the object petit a and the truth.

کلیدواژه‌ها [English]

  • Discourse of master
  • master signifier
  • the barred subject
  • fantasy
  • madness
  • Jacques Lacan
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