تروما در داستان پسا 11 سپتامبر2001 : مطالعه موردی مندنی پور و مک یوئن

نوع مقاله : مقاله علمی پژوهشی

نویسندگان

1 دانشجوی دکتری زبان وادبیات انگلیسی پردیس بین‌الملل کیش، دانشگاه تهران

2 استاد ادبیات انگلیسی دانشگاه شیراز

چکیده

آنچه که در 11 سپتامبر 2001 رخ‌داد؛   نه تنها دگرگونی‌های سیاسی را در پی داشت که بسیاری از سردمداران دنیا را از سریر قدرت بزیر کشید، و فزونتر؛ سبب جنگ و کشتار مردم بیگناه بسیاری شد و تاریخ دنیای مدرن را به‌پیشا و پسای 11 سپتامبر تقسیم کرد. رمان ، نمایشنامه، داستان‌ کوتاه و آثار غیر داستانی بسیاری دراین زمینه نوشته شده است. نابرابری‌های نژادی، سیاسی و فرهنگی  در برخی از این آثار، تحت تاثیر اثرات تروماتیک این حادثه بروز کرده است. شخصیت‌های مندنی‌پور طیفی از شرق و غربند، در صورتیکه شخصیت‌های مک یوئن درحقیقت همگی سفید پوست و بریتانیایی ‌اند. در این مقاله  با استفاده از انگارة ترومای فرهنگی الکساندر مجموعه داستان آبی ماورای بحار اثر مندنی‌پور و شنبه اثر ایان مک یوئن بررسی شده تا چگونگی ارایة این دو نویسنده در بارة حادثه و ترومای  شخصیت‌ها بررسی شود و  بنگریم که واکنش شخصیت‌ها در پی تروما چگونه است.

کلیدواژه‌ها

عنوان مقاله [English]

Trauma in Post 9/11 Fiction: Case study of Mandanipour and McEwan

نویسندگان [English]

  • ٍEhsan Baghaei 1
  • Farideh Pourgiv 2
1 Tehran University
2 Shiraz University
چکیده [English]

Abstract
This paper studies the landscapes in Ian McEwan’s Solar and examines the narrator’s epistemological lens in his description of the landscapes. The research draws upon David Harvey’s definition of built environment, which contributes to the generation of a more practical definition of landscape, and argues that the narrator and the focalizer’s realistic descriptions of the landscapes have their origin in their scientistic mindset and firm reductionist belief in (neo)liberalism. With regard to such descriptions, the paper focuses on how, since the late twentieth century, the earth, as the cradle of nature and location of countries with definite political borders, is transformed into a landscape of a (blue) planet without any political or spatial borders on it. Using Harvey’s Marxist critiques of capitalism and neoliberalism, this study also analyzes the narrator and focalizer’s belief in science as a savior and the single avenue towards understanding the world. It is concluded that the ecological stance in the story is grounded in the very epistemology from which the man-made climate change arises.
 

کلیدواژه‌ها [English]

  • Key Words: epistemology
  • Harvey
  • McEwan
  • landscape
  • (neo)liberalism
  • scientistic realism

مراجع

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پژوهش ادبیات معاصر جهان
دوره 26، شماره 1
شهریور 1400
صفحه 22-38

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