رئالیسم جادویی و تاریخ چند نگاره در رازهای سرزمین من

نوع مقاله : مقاله علمی پژوهشی

نویسنده

گروه زبان و ادبیات انگلیسی، دانشکده ادبیات فارسی و زبان های خارجی، دانشگاه علامه طباطبایی، تهران، ‌ایران

10.22059/jor.2026.405376.2763

چکیده

رازهای سرزمین من، نوشتۀ رضا براهنی، روایتی چندپاره از حوادث تاریخی ایران چند سال پیش و پس از انقلاب اسلامی است. درحالی‌که انقلاب اجتماعی در پس­زمینه حوادث رخ می­دهد، رمان به بررسی انقلاب­های درونی افراد می­پردازد. نویسندگان مقاله حاضر تلاش دارند با کنکاش در عناصر رئالیسم جادویی این اثر، نشان بدهند چگونه رمان براهنی معنایی بومی از زندگی را زنده می­کند و با درهم آمیختن خرده روایات افراد، دست­یافتن به ابرروایت­ها را زیر سؤال می­برد. مهم‌ترین عنصر رئالیسم جادویی که در این راستا به خدمت گرفته می­شود تاریخ چندنگاره است که با کارکردی انتقادی مرز­ بین واقعیت و خیال را درمی­نوردد. در این مقاله از آرای فردریک جیمسون درباره رئالیسم جادویی و ارتباط بین انسان، تاریخ و بازنمایی سود جسته­ایم تا نشان بدهیم رازهای سرزمین من منطق نویی از رابطه بین انسان و تاریخ را مطرح می­کند که با منطق گریزی رئالیسم جادویی هم­عنان است.

کلیدواژه‌ها

موضوعات


عنوان مقاله [English]

Magical Realism and Palimpsest in The Mysteries of My Homeland

نویسنده [English]

  • Tahereh Rezaei
Department of English Language and Literature, Allameh Tabataba’i University, Teharn, Iran
چکیده [English]

The Mysteries of My Homeland (Razhaye Sarzamin-e Man), a contemporary Iranian novel by Reza Baraheni, presents a fragmented narrative of historical events in Iran spanning the years before and after the Islamic Revolution. In this novel, the interplay between magical realism and memory/forgetting is prominently featured. While social revolution unfolds in the background of the events, the novel delves into the inner revolutions of individuals and employs magical realism and mechanisms of memory/forgetting to challenge official historiography and reconstruct collective memory. The author of the present article seeks to demonstrate, through an exploration of the magical realist elements in this work, how Baraheni’s novel juxtaposes magical elements—such as the “foreigner-killing wolf” and Raghieh’s prophecies—with narrative techniques to destabilize linear history and revive suppressed collective memories, while also questioning the possibility of accessing grand narratives by interweaving the micro-narratives of individuals. The most significant magical realist element enlisted in this regard is palimpsest as multi-perspectival history, which critically transcends the boundary between reality and fantasy. This article draws on Fredric Jameson’s ideas about magical realism and the relationship between humans, history, and representation to illustrate how The Mysteries of My Homeland proposes a novel logic for the relationship between humans and history, one that resonates with the subversive logic of magical realism.

کلیدواژه‌ها [English]

  • Cultural memory
  • Reza Baraheni
  • Raz Haye Sarzamine Man
  • Magic Realism,
  • Palimpsest
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