Author = Marandi, Mohamad
Landscape, Scientistic Realism, and Climate Change in Ian McEwan's Solar

Volume 26, Issue 1, September 2021, Pages 244-275

10.22059/jor.2020.307370.2023

Seyed Mohammad Marandi; Zohre Ramin; Mohammad Bagher Shabanpour


The Pathology of the Uncoupling of System and Lifeworld and the Formation of Surveillance in The Castle

Volume 23, Issue 1, September 2018, Pages 103-122

10.22059/jor.2018.141639.1338

Jalal Farzaneh Dehkordi; Sayyed Mohammad Marandi; Younes Shokrkhah


My Name Is Rachel Corrie: The End of “End of Ideology” in Post-9/11 British Documentary Theatre

Volume 23, Issue 1, September 2018, Pages 173-196

10.22059/jor.2018.202606.1364

Seyed Mohammad Marandi; Golnaz Montazeri; Hosein Pirnajmedin


Fashioning Identity and Identity Fashioned in Margaret Atwood’s Lady Oracle

Volume 22, Issue 2, January 2018, Pages 551-569

10.22059/jor.2017.120637.1182

Seyed Mohammad Marandi; Hamed Habibzadeh


Mythologising the Contemporary Ireland in North Heaney as the Modernist Postcolonial Poet

Volume 20, Issue 2, October 2015, Pages 355-373

10.22059/jor.2015.57090

Seyed Mohammad Marandi; Hussein Pirnajmuddin; Susan Poursanati


The Prison-House in the House on the Hill: Malcolm X and the Power of Knowledge

Volume 20, Issue 1, April 2015, Pages 41-57

10.22059/jor.2015.54214

Zahra Jannessari Ladani; Mohamad Marandi


The Representation of the Negritude Movement in Wole Soyinka’s A Dance of the Forests

Volume 15, Issue 60, January 2011, Pages 75-92

Seyed Mohammad Marandi; Mohsen Hanif


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Volume 11, Issue 33, September 2006


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Volume 10, Issue 27, November 2005


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Volume 9, Issue 20, November 2004