References
Beyad, Maryam Soltan, And Tahereh Rezaei. “Fonoon-e Baznamaei-ye Baroque dar Hezartooha-ye Ghal’e-ye Howard Barker” [“Baroque Techniques of Representation in Howard Barker’s The Castle”]. Research in Contemporary World Literature [Pazhuhesh-e Zabanha-ye Khareji], vol. 18, no. 1 (Spring and Summer, 1392/2013): 37-56.
Cicero, Marcus Tullius. On the Orator, Books I-II, Translated by E. W. Sutton and H. Rackham. Harvard University Press, Loeb Classical Library, 1984.
Deleuze, Gilles. Proust et les Signes. Paris: Presses Universitaires de France – PUF, 2003.
Frank, Ellen Eve. Literary Architecture: Essays Toward a Tradition: Walter Pater, Gerard Manley Hopkins, Marcel Proust, Henry James. Berkeley: University of California Press,1983.
Gamble, Cynthia J. Proust as Interpreter of Ruskin: The Seven Lamps of Translation. USA, Albama: Summa Pbns, 2002.
Hamlin, Talbot. Architecture – An Art for All Men. New York: Columbia University Press, 1947.
Hopkins, Stacey. On Memory and Architecture. Thesis Summary, Architecture Discipline, Syracuse University, 1996.
Hornstein, Shelley. Losing Site: Architecture, Memory and Place. London: Routledge (Series: Ashgate Studies in Architecture), 2011.
Le Corbusier. The Modulor: A Harmonious Measure to Human Scale Universally Applicable to Architecture and Mechanics. Translated by Peter de Francia and Anna Bostokc. Berlin: Springer Science & Business Media, 2004.
Leonard, Diane R. “Ruskin and the Cathedral of Lost Souls”. Cambridge Companion to Proust. Edited by Richard Bales. Cambridge: Cambridge University Press, 2006, 42-57.
Norberg-Schulz, Christian. Genius Luci: Toward a Phenomenology of Architecture. New York: Rizzoli, 1979.
Pinkard, Terry P. Falsafe-ye Almani 1760-1860 [German Philosophy 1769-1869: The Lagacy of Idealism]. Translated by Neda Ghatrouei. Qoqnoos Publication, 1394/2015.
Poulet, George, Faza-ye Prousti [L’espace Proustien]. Translated by Vahid Ghesmati, Tehran: Qoqnoos Publication, 1390/2011.
Proust, Marcel. À la Recherche du Temps Perdu Vol. I, Du Côté du chez Swann (Première Partie). Paris: Gallimard, 1946.
---. À la Recherche du Temps Perdu Vol. II, Du Côté du chez Swann (Deuxième Partie). Paris: Gallimard, 1946.
---. À la Recherche du Temps Perdu Vol. IV, À l’Ombre des Jeunes Filles en Fleurs (Deuxième Partie). Paris: Gallimard, 1946.
---. À la Recherche du Temps Perdu Vol. XII, La Prisonnière (Deuxième Partie). Paris: Gallimard, 1946.
---. À la Recherche du Temps Perdu Vol. XV, Le Temps Retrouvé (Deuxième Partie). Paris: Gallimard, 1946.
Purrezaian, Mehdi, and Behrouz Soheili. “Talfigh-e Adabiyat va Naghashi be Shive-ye Marcel Proust [“The Study of Connection of Literature with Painting in Marcel Proust’s ‘In Search of Lost Time’ Novel with an Emphasis on ‘Swann’s Way’ Volume”]. Research in Contemporary World Literature [Pazhuhesh-e Zabanha-ye Khareji], vol. 22, no. 1 (Spring and Summer, 1396/2017): 217-247.
Relph, Edward C. Place and Placelessness. London: Pion, 1976.
Ruskin, John. The Seven Lamps of Architecture. New York: John Wiley, 1849.
---. The Stones of Venice, Vol III: The Fall. New York: Peter Fenelon Collier & Son, 1900.
Shayegan, Dariush. Fanoos-e Jadooei-ye Zaman. Tehran: Farhang Moaser, 1396/2017.
Shoemaker, Francis. “The Correlation of Literature with Architecture”. College Art Journal, vol. 9, no. 2 (winter 1949): 181-186.
Spurr, David. Architecture and Modern Literature. Michigan: The University of Michigan Press, 2012.
Strauss, Walter A. “The Architecture and Music of Thinking: Proust and the Stones of Combray”.Romance Notes, vol. 35, no. 3 (Spring 1995): 293-302.