Abaspoor, N., Ian McEwen's Atonement and Eternal Love: A Study of
Narrative Strategies in
Two Novels and Their Cinematic Adaptation, Master’s Thesis, Faculty of
Foreign Languages and Literatures. English Language Group, English
Language and Literature, Tehran University, (2016).
Ahmadgoli, K. & Frahani Moghadam, F., “Translation, Film Adaptation and
Fidelity to the Text: A
Case Study of Fidelity to the Text in Alice in Wonderland Film Adaptations
from a Narrative Perspective”, Translation Studies, 10(37), PP. 57-71,
(2012).
Hachen, L., A Theory of Adaptation, Tehran: Center, (2017).
Khavari, S. Kh., “From word to Meaning: Adaptation or Literary
Translation”, Research in
Contemporary World Literature, 9(18), PP. 83-96, (2004).
Letafati, R., “The Language of Literature, the Language of Cinema:
Comparing the Text of New Story, Mouchette and. Mouchette Film”,
Research in Contemporary World Literature, 11(31), PP. 95-107, (2006).
Norayi Bidokht, B., The role of the author in cinematic adaptation;
Analytical study of JeanClaude Carrier's adaptation of the novel ‘Unbearable Style of Being’ by
Milan Kundera, Master Thesis in French Language and Literature, Faculty
of Foreign Languages and Literature, University of Tehran, (2010).
Andrew, D., Adaptation, In “Film Theory and Criticism”. eds. Braudy, L.
and Cohen, M., 6th edition, Oxford: Oxford UP. PP. 461-69, (2004).
Bluestone, G., Novels into Film: The Metamorphosis of Fiction in to
Cinema, London: University of California Press, (1957).
Booman, A., “A Load of Nonsense: Themes of Carroll's Alice Books in Film
Adaptations”. Animation: An Interdisciplinary Journal, 5(3), PP. 331-340,
(2016).
Cahir, L., Literature into Film: Theory and Practical Approaches, Jefferson,
NC: McFarland, (2006).
---, Alice’s Adventures in Wonderland, New York: the Modern Library,
(1865).
Cartmell, D., “Adapting Children’s Literature”, In The Cambridge
Companion to Literature on Screen, eds. Cartmell D. and Whelehan I.,
Cambridge: Cambridge. PP. 167-180, (2005).
Cattrysse, P. (2014), Descriptive Adaptation Studies. Antwerp: Patrick
Cattrysse & Garant Publishers.
Corrigan, T., Film and Literature: An Introduction and Reader, Upper
Saddle River, NJ: Prentice Hall, (1999).
Desmond, M., and Hawkes, P., Adaptation: Studying Film & Literature,
Boston: McGraw, (2006).
Higodn, D. and Lehrman, P., “Huxley`s ‘Deep Jam’ and the Adaptation OF
Alice in wonderland, The Review of English Studies”, Volume XLIII, Issue
169, 1 February (1992). PP. 57–74, (1992).
Hutcheon, L. and O'Flynn, S., A Theory of Adaptation, 2nd Edition, New
York: Routledge, (2012).
Jakobson, R., “On linguistic aspects of translation”, In Venuti L. ed. The
Translation Studies Reader, London, New York: Routledge. PP. 113-119,
(1959).
Lefevre, A., “Prewrite”, In Translation, Rewriting, and the Manipulation of
Literary Fame, New York: Routledge. PP. 1-10, (1992).
Luque, F., “Técnicas de traducción aplicadas a la adaptación
cinematográfica: nuevos horizontes para la traductología”, (9), 21-35,
(2005).
Sawyer, F., “Alice Still Lives Here: The Implied Victorian Reader and Film
Adaptations of Lewis Carroll’s Alice Books”, In Crossing Textual
Boundaries in International Children’s Literature, Weldy. L. ed., Newcastle
upon Tyne: Cambridge Scholars Publishing. PP. 109-122. Print, (2011).
Snell-Hornby, M., The Turns of Translation Studies: New Paradigms or
Shifting. Viewpoints?, Amsterdam: John Benjamins, (2006).
Tsui, C.S.K., “The Authenticity in Adaptation: A Theoretical Perspective
from Translation Studies”, In Translation, Adaptation, and Transformation,
Raw L. ed., London: Continuum International Publishing Group, PP. 21-41,
(2012).