Liberal Humanism and Zionism: A Reading of Via Dolorosa and Wall by David Hare

Document Type : Research Paper

Authors

1 Department of Language and Literature English, Faculty of Literature and Humanities, Malayer University, Malayer

2 Department of Language and Literature English, Foreign Languages,, University of Isfahan, Isfahan, Iran

10.22059/jor.2024.382255.2570

Abstract

The discourse of Zionism has had a significant impact on Western culture since World War II, particularly evident in contemporary literature, especially in America and Britain. This influence is further amplified by the Zionist dominance of the cultural industry and the historical context of the Holocaust and the establishment of Israel in 1948. These factors have led to a massive production of artistic and literary works by both Jewish and non-Jewish artists and writers, exploring these themes and their implications. Of special interest in this regard is the way the so-called liberal writers have tackled what has come to be referred to as the Israeli-Palestinian conflict in the Western media. The present article aims to look into the representation of the aforesaid issue in Via Dolorosa (1998) and Wall (2009) by David Hare, a liberal writer with (previously) leftist tendencies. Drawing on the views of a number of theorists and historians such as Edward Said and Ilan Pappé, the writers highlight how Hare’s account contradicts his liberal claims of avoidance of prejudice, pursuit of justice and advocacy of human rights. They argue that Hare’s seemingly documentary narratives, supplementing each other, turn into propaganda-like pieces whitewashing a long history of occupation and atrocities by the Israeli regime.

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