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<ArticleSet>
<Article>
<Journal>
				<PublisherName>University of Tehran</PublisherName>
				<JournalTitle>Research in Contemporary World Literature</JournalTitle>
				<Issn>2588-4131</Issn>
				<Volume>15</Volume>
				<Issue>58</Issue>
				<PubDate PubStatus="epublish">
					<Year>2011</Year>
					<Month>01</Month>
					<Day>21</Day>
				</PubDate>
			</Journal>
<ArticleTitle>Despair and Absence of God in Proust and Gide&#039;s Writings Comparative Readings According to François Mauriac</ArticleTitle>
<VernacularTitle>Despair and Absence of God in Proust and Gide&#039;s Writings Comparative Readings According to François Mauriac</VernacularTitle>
			<FirstPage>67</FirstPage>
			<LastPage>81</LastPage>
			<ELocationID EIdType="pii">21848</ELocationID>
			
			
			<Language>FA</Language>
<AuthorList>
<Author>
					<FirstName>Azine</FirstName>
					<LastName>Hossein-zadeh</LastName>
<Affiliation></Affiliation>

</Author>
</AuthorList>
				<PublicationType>Journal Article</PublicationType>
		<Abstract>François Mauriac, a scholar and a famous French author and the winner of the nobel prize in literature, , unlike any of his contemporaries is not known in Iran. In this article, it has been attempted to know him better on the basis of his viewpoints toward two famous contemporaries, André Gide and Marcel Proust.
Mauriac believes that these two writers incorporated a  detailed reflection of religious crisis dominating the 20th century. This has caused some decline in the religious value of their  work , deriving from the aesthetics which was undoubtedly the most influential aspect of their work.</Abstract>
			<OtherAbstract Language="FA">François Mauriac, a scholar and a famous French author and the winner of the nobel prize in literature, , unlike any of his contemporaries is not known in Iran. In this article, it has been attempted to know him better on the basis of his viewpoints toward two famous contemporaries, André Gide and Marcel Proust.
Mauriac believes that these two writers incorporated a  detailed reflection of religious crisis dominating the 20th century. This has caused some decline in the religious value of their  work , deriving from the aesthetics which was undoubtedly the most influential aspect of their work.</OtherAbstract>
		<ObjectList>
			<Object Type="keyword">
			<Param Name="value">André Gide</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Characters</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">François Mauriac</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Literature Comparative</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Marcel Proust</Param>
			</Object>
			<Object Type="keyword">
			<Param Name="value">Religious Crisis</Param>
			</Object>
		</ObjectList>
<ArchiveCopySource DocType="pdf">https://jor.ut.ac.ir/article_21848_e38668311c8b85421dfdaf8e3c883588.pdf</ArchiveCopySource>
</Article>
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