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				<PublisherName>University of Tehran</PublisherName>
				<JournalTitle>Research in Contemporary World Literature</JournalTitle>
				<Issn>2588-4131</Issn>
				<Volume>7</Volume>
				<Issue>12</Issue>
				<PubDate PubStatus="epublish">
					<Year>2002</Year>
					<Month>03</Month>
					<Day>21</Day>
				</PubDate>
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		<Abstract>Journey and travel seem to have provoked the imagination of poets, novelists and playwrights in the literature of different nations. As a whole journey represents a broader concept in the world of drama. The journey begins by the title of the play and on the stage the characters heighten it to a climax so that the memory of the journey lasts for a long time after the play itself is over. Three plays that are discussed in the paper depict three different kinds of journeys: For instance Eugene LAbicH ridicules traveling by train in his play, Mr. Perrichon‘s Journey; Albert CAMIJS’S Misunderstanding is about a tragic trip; Jules SupERViELLE in his Shéhérazade embarks on a journey on the wings of imagination.</Abstract>
			<OtherAbstract Language="FA">Journey and travel seem to have provoked the imagination of poets, novelists and playwrights in the literature of different nations. As a whole journey represents a broader concept in the world of drama. The journey begins by the title of the play and on the stage the characters heighten it to a climax so that the memory of the journey lasts for a long time after the play itself is over. Three plays that are discussed in the paper depict three different kinds of journeys: For instance Eugene LAbicH ridicules traveling by train in his play, Mr. Perrichon‘s Journey; Albert CAMIJS’S Misunderstanding is about a tragic trip; Jules SupERViELLE in his Shéhérazade embarks on a journey on the wings of imagination.</OtherAbstract>
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